Vol 26 (1/2) 2008
L’expérience impliquée – Damien Darcis
Cézanne: From what is inscribed to what is induced – Jean Guiraud
The infinitive augury – Marc Belderbos
Odd and Even – Tanguy de Foy
Pierre Alechinsky’s painted handwriting in the light of graphology: psychoanalytical hypothesis – Sarah Willems
When a bilingual creation enriches a language Bilingual tales (French – Sign Language) and the linguistic consciousness of Deaf signers – Laurence Meurant
When a bilingual creation enriches a language Bilingual tales (French – Sign Language) and the linguistic consciousness of Deaf signers
Two storytellers (one deaf, the other hearing) relate their tales simultaneously in Sign Language (the Sign Language of Southern Belgium) and in French. This experience reveals how important it is for the linguistic consciousness of Deaf signers that they encounter...
Pierre Alechinsky’s painted handwriting in the light of graphology: psychoanalytical hypothesis
In this contribution the work of Belgian artist Pierre Alechinsky is analysed from an interdisciplinary perspective. First, within the perspective of art history, the author traces the trajectory of the artist starting from his encounters with the Cobra movement, the...
Odd and Even
This article is a testimony to the work of an animation workshop over several years within an institution for delinquent girls. Over the course of a series of trials, both with the group of girls and with the institution, a particular position distinguished itself...
The infinitive augury
This paper on architecture and its effect on the subject tries to clarify the main arguments that support the title: “Architecture, infinitive augury”. Having established the argument –what is architecture about - and having indicated its essential aspects , the...
Cézanne: From what is inscribed to what is induced
In this paper four conceptual trilogies are discussed as defining Cézanne's contribution (Picasso called him "the father of all of us") to modern art: i) the three aspects of the art work: what is seen, what is felt, what is painted, i.e., the three terms that...
The implied experience
This text aims to explore the political implications of the creative act of painting. The author refuses to describe creation within that field of creative art which is defined purely by its own history. His goal is to broaden this field by questioning it and also to...