Cézanne: From what is inscribed to what is induced

In this paper four conceptual trilogies are discussed as defining Cézanne’s contribution (Picasso called him “the father of all of us”) to modern art: i) the three aspects of the art work: what is seen, what is felt, what is painted, i.e., the three terms that according to Cézanne must correspond; ii) the three registers on which, also according to Cézanne, aesthetics should be established: sense, forms and forces; iii) the three operations by which we are moved and that sustain our art works: antagonism, homology and substitution; and iv) the three changes Cézanne realised: the inversion of space, the inversion of the Gestalt and the fusion of internal and external spaces.