This article investigates the relationship between the poetic use of language and analytic interpretation. Poetry and psychoanalysis are strongly formalised practices which, by transgressing the laws of discourse, lay bare the intimate relation one has with jouissance, and in doing so, demonstrate many similarities. Both analytic interpretation and poetic scripture are born out of a violence against language, out of an attempt to create sense out of non-sense, and out of the suggestion that meaning and sound would have a natural connection. Above all, they share the same ethical aspiration, not to retreat before the impossible real. Each stumbles in its particular way at the attempt of the signifier to signify itself, but in such a way that the object a, rolling out of its narcissistic envelope, reveals itself. It allows the poet to illuminate the gap within the metaphor; to the analysand it offers the opportunity to change his position towards the jouissance.