Summary: This paper investigates the significance of filmic analysis in the contemporary theoretical paradigm inspired by Slavoj Žižek, which we term ‘Transcendental Materialism’. After characterising its distinct peculiarities within the history of psychoanalysis and film theory, we demonstrate the limitations of previous (possible) answers, arguing they are partly formulated in response to confrontations with other paradigms. Our own approach is then informed by a study of another popular object of analysis in Transcendental Materialism – the joke. We show how Freud’s understanding of the joke was adapted by the paradigm and supported further by certain philosophical insights by (among others) G.W.F. Hegel. Finally, we demonstrate how parallels can be drawn between this adaptation and the significance of the filmic form within Transcendental Materialism, inspired in part by Alain Badiou’s reading of Hegel.
- 2017 - 4 - Varia
- 2020 - 4 - Teksten voor Diegene die het Aanbelangt
- 2020 - 3 - Taal en Psychoanalyse
- 2020 - 2 - Jaloezie
- 2020 - 1 - Psychoanalyse en het Duits Idealisme
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- 2019 - 3 - Lacanian Psychoanalytic Technique Today
- 2019 - 2 - ([Humane] [Psychiatrische] [Zorg]
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- 2018 - 4 - On Ecrits
- 2018 - 3 - Over Dans-, Schrijf- en Spreekwezens
- 2018 - 2 - Noting Less Than The Object a
- 2018 - 1 - Bouwstenen voor het Klinisch Begrijpen van de Alledaagse Psychose
- 2017 - 3 - Einde van een Analyse
- 2017 -2 - Een Leven in Portretten: Lucian Freuds Visuele Autobiografie
- 2017 - 1 - Psychoanalysis and Philisophy
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- 2021 - 2 - Psychoanalyse en Cinema
- 2021 - 1 - Manie en Melancholie
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- 1981 - 1e - Devreese - Adelsstolz und Professorenduenkel
- 1981 - 1d - Schreberdocumenten I
- 1981 - 1c - Quackelbeen - Prolégomènes pour une Clinique Psychanalytique
- 1981 - 1b - Quackelbeen - Prolegomena voor een Psychoanalytische Ethiek
- 1981 - 1a - Inhoudsopgave