Psychoanalysis is a process that works with discourse, language, and speech. “Nothing takes place in psychoanalysis,” wrote Freud in his introductory lectures, “but an interchange of words between the patient and the analyst” (1916, p.17). Of course, Lacan also conveys that “psychoanalysis has but one medium: the patient’s speech” and emphasizes that “[t]he obviousness of this fact is no excuse for ignoring it” (1953/2006, p.206). Speech is the object of the analysand’s elaboration and this “ribbon of sound,” as Saussure called it, is the production of whatever comes to mind within the presence of the analyst as Other in the transference (1986, p.102). But what about when the ribbon of sound ceases? I raise this question since it seems the obviousness of speech has perhaps detracted somewhat from the obviousness of its opposite: nonspeech or silence. If the analysand’s unconscious is structured like a language, then the manifestation of this language must be supported through and necessarily implies the silence of the analyst.
- “I don’t stop; I start again.” The position of the analyst in ‘long term care’By Glenn Strubbe
- Vampires, Viruses and Verbalisation: Bram Stoker’s Dracula as a genealogical window into fin-de-sièc…By Hub Zwart
- Psychoanalysis: a symptomatic problemBy Evi Verbeke
- The Violence of Right: Rereading ‘Why War?’By Jens De Vleminck
Addiction Aggression Applied psychoanalysis Architecture Art Body Case study Child analysis Collecting Death death drive desire ethics Fantasy Freud Gaze Hysteria Identity Institution interpretation Jacques Lacan Jouissance Lacan Language Literature Memory Narcissism Object a Oedipus Outsider Art Psychoanalysis Psychosis Real Repetition Repression Sade Signifier Subject Sublimation the Gaze Transference Trauma Unconscious Violence Writing