In this paper the author investigates the precise manner in which Freud applied the technique of construction in his clinical practice. Not withstanding the fact that construction comprised an obvious part of Freud’s technique, he seldom mentioned it in his works. Light is shed on Freud’s technique of construction by revisiting the analogies he used to describe psychoanalytic practice, i.e., the psychoanalyst as archeologist (1937d) and psychoanalysis as travel (1920a), and the sixth and seventh sessions of his analysis of the Ratman (1909d). It appears that for Freud construction not only formed an integral part of his technique but was also the focus of a dialectical working through. Attention is paid to the role of working through in the subjectivation process as part of the psychoanalytic cure. To conclude, the author presents a third analogy in order to elucidate the range of the technique of construction: the analogy of an oeuvre.