In the middle of the last century, numerous French thinkers were interested in the literary works of D.A.F. de Sade, among them Lacan and Blanchot. Blanchot saw Sade as the ideal writer and this author argues that Blanchot’s assertion was based on a conceptualisation of Sade’s literature as revealing both the materiality and the autonomy of language. According to Blanchot, Sade’s language balances on a border: between the things to which language refers on the one hand, and the content that is normally expressed by language on the other. It is further argued that this balancing act is also reflected in the regime of Terror in France, and the universe described by the Marquis in his writings.