Many psychoanalysts argue that clinicians have a lot to learn from literature. They share the deep-rooted conviction that artists are sensitive to clinical phenomena and that they make visible what is often overlooked by clinicians. Freud, for example, relies on Sophocles’ Oedipus Rex and Shakespeare’s Hamlet. Half a century later, the assumption of Freud’s literary clinic has been taken up by the French philosopher Gilles Deleuze in his study Présentation de Sacher-Masoch. Deleuze reads Sade’s and Sacher-Masoch’s literary novels from the same perspective as Freud. Sade and Sacher-Masoch, Deleuze argues, are first of all great symptomatologists. Their novels explore the sadistic and masochistic universe thoroughly. In his essay, the author discusses Deleuze’s reading of Sade and Sacher-Masoch. Deleuze argues that his study, whilst sharing Freud’s basic assumptions, is a critique of his conception of sadism and masochism.
- “I don’t stop; I start again.” The position of the analyst in ‘long term care’By Glenn Strubbe
- Vampires, Viruses and Verbalisation: Bram Stoker’s Dracula as a genealogical window into fin-de-sièc…By Hub Zwart
- Psychoanalysis: a symptomatic problemBy Evi Verbeke
- The Violence of Right: Rereading ‘Why War?’By Jens De Vleminck
Addiction Aggression Applied psychoanalysis Architecture Art Body Case study Child analysis Collecting Countertransference Death death drive desire ethics Fantasy Freud Gaze Hysteria Institution Institutional Psychotherapy interpretation Jouissance Lacan Language Literature Memory Narcissism Object a Oedipus Outsider Art Psychoanalysis Psychosis Real Repetition Repression Sade Signifier Subject Sublimation the Gaze Transference Trauma Unconscious Violence Writing