This comment on Werner Herzog’s film “Jeder für sich und Gott gegen alle” (1974) deals with the enigma of Kasper Hauser’s origins, with the precarious status of the body and with his introduction into language. This is related to the problem of becoming a subject. The question arises as to what in this becoming constitutes the first and necessary anchoring point: what is the necessary condition for becoming a human subject?
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Addiction Aggression Applied psychoanalysis Architecture Art Body Case study Child analysis Collecting Death death drive desire ethics Fantasy Freud Gaze Hysteria Identity Institution interpretation Jacques Lacan Jouissance Lacan Language Literature Memory Narcissism Object a Oedipus Outsider Art Psychoanalysis Psychosis Real Repetition Repression Sade Signifier Subject Sublimation the Gaze Transference Trauma Unconscious Violence Writing