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The unnameable voice of Beckett

by | Vol 24 (3/4) 2006

What is there to say when there is no story, how to speak about the experience of reading, of reading Beckett. Not speaking about, but within a text, to continue the text, not deprived of hysteria, to start saying something else with the same words, always a new beginning. To experience as such psychical notions that do not exclude each other but rather produce a tension: reading/writing, to disappear/to appear, pleasure/jouïssance. To name this field of tension the drive, in this case, the case of reading Beckett, in particular the drive of the voice that comes to the surface whilst reading.

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