This paper deals with the question of the meaning of technique in analytical treatment. With Freud, it is acknowledged that the term “technique” is all too often interpreted in terms of rules or instructions for the analyst in relation to good direction for the cure. In contrast, Freud underscored another dimension of technique: that of creativity, a dimension that contributes to the emergence of the subject as well as to the creation of additional degrees of freedom for its speaking; the one in which the analyst, having analysed his own freedom (or lack of it), creates the conditions wherein the subject comes to his own, truthful, speech. The tension between technique in the narrow sense, and technique in the sense of the creative manipulation of transference, is illustrated on the basis of a few clinical fragments.