Starting from the biography and evolution of the art of Belgian artist Pierre Alechinsky, a psychobiographical hypothesis is formulated concerning an important shift in the artist’s work, namely, his choosing to combine painting with calligraphy and writing. This “choice” was made when the artist found himself in an artistic impasse. It is shown how the signifier “graph” appears over and over again in his artistic evolution and apparently functions as a master signifier. Based on biographical material from his childhood, it is argued that the left-handed Alechinsky, in choosing calligraphic painting, was able to circumvent the Oedipal threat and, in so doing, could identify himself with the desire of his mother who, not coincidentally, was a graphologist.

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