This paper deals with the “human”, or the “anthrop” establishing himself. Aiming at the “real” this text relates us to emptiness or to the Thing of both architecture and the human being. This text shows that architecture is an art that one can think of as being at the heart of the genesis of the human subject. Therefore it is an art that touches the real of that human who get stuck and then avoids signification. The author takes us from the very foundation of architecture through to what he calls the “infinition” of architecture. The text begins with “intentions” which briefly outline the foundations of the theory. He continues with “acceptations” which are woven through events, interrogations and the dialectic of the human being, reaching finally the indication of a certain direction given by the sense that senses without meaning. The paper ends with “propositions” establishing the poetics of the architectural stanza logically coupled to the genesis of the human. This opens the way, not to a reductive thought of architecture, but to the exigency to consider architecture as necessary to the genesis of the human being.
In the early 1970s Lacan regularly referred to Gottlob Frege’s concepts Sinn and Bedeutung. Using these concepts he defined two elements of the symptom and two dimensions of analytic discourse. In this paper the author discusses how Lacan uses both concepts, and he explores how the third dimension Frege distinguishes in the sign – Vorstellung – can be situated in Lacan’s work. This discussion is situated within the broader context of Lacan’s teaching from this period and also explores the concepts speaking being, non-rapport, sexual jouissance and phallus.