In 1966, Lacan wrote “On an Ex Post Facto Syllabary”, a short rarely read essay that holds a key to what is radical and still important regarding what makes psychoanalysis relevant today, and that is the role of the signifier and the symbolic in mental health treatment. The following article describes Lacan’s critique of Herbert Silberer’s concept of the functional phenomenon as an example of the resistance that theorists and practitioners have towards the role of the unconsious and the symbolic. This is a detailed look at Lacan’s critique, and how the imaginary is still a trap, as well as a discussion of how a focus on the signifier and language serves as an alternative.
The death-drive runs as a red thread through a reading of Lacan. Starting from a clinic of suicide, Lacan proposes a theory whih is based on a split that is present at every level of the human structure: the real (biological), the imaginary (narcissistic), the symbolic (linguistic), up to and including the fantasma (primordial masochism). We attempt to draw a lesson from this concerning the cure and the problematic field of mental health.
Different approaches to literature in literary theory can often be reduced to Lacan’s four fundamental discourses. However, in his later work, Roland Barthes investi¬gates the possibility of another, alternative discourse, namely that of the lover. In this discourse, the Imaginary plays a key role. The Barthesian Imaginary functions as an active (in the Nietzschean sense of the word) and creative hermeneutic tool. Important here is the Phrase, a literary sentence supplied by the discourse of the Other, that almost “magically” helps us to name something of our desire. Barthes also closely links this Phrase to his interpretation of the fantasy as the moving force behind our reading. In this way, literature forces us, as subjects of desire, into confrontation with the deconstructed, but indestructible, sinthome of our love, our desire: our ego.
This article begins by analyzing Lacan’s famous formula from the seminar The ethics of psychoanalysis: sublimation “elevates an object to the dignity of the Thing” (Lacan, 1986 [1959-1960]: 133). Our hypothesis is that this operation has a logical sequence. We will demonstrate that Gothic architecture can account for the logic of sublimation and we will articulate the difference between “primitive sublimation” and sublimation as “elevation”: the former describes a sublimation that works without the imaginary – we shall refer to this as the creation of “holy (sacred) void” of architecture – the latter works with the imaginary but through a symbolic elevation that puts us in an indirect relationship with the real.