What is there to say when there is no story, how to speak about the experience of reading, of reading Beckett. Not speaking about, but within a text, to continue the text, not deprived of hysteria, to start saying something else with the same words, always a new beginning. To experience as such psychical notions that do not exclude each other but rather produce a tension: reading/writing, to disappear/to appear, pleasure/jouïssance. To name this field of tension the drive, in this case, the case of reading Beckett, in particular the drive of the voice that comes to the surface whilst reading.
- “I don’t stop; I start again.” The position of the analyst in ‘long term care’By Glenn Strubbe
- Vampires, Viruses and Verbalisation: Bram Stoker’s Dracula as a genealogical window into fin-de-sièc…By Hub Zwart
- Psychoanalysis: a symptomatic problemBy Evi Verbeke
- The Violence of Right: Rereading ‘Why War?’By Jens De Vleminck
Addiction Aggression Applied psychoanalysis Architecture Art Body Case study Child analysis Collecting Death death drive desire ethics Fantasy Freud Gaze Identity Institution Institutional Psychotherapy interpretation Jacques Lacan Jouissance Lacan Language Literature Memory Narcissism Object a Oedipus Outsider Art Paranoia Psychoanalysis Psychose Psychosis Repetition Repression Sade Signifier Subject Sublimation Transference Trauma Unconscious Violence Writing