This is a study of the relationship between sublimation and verticality in architecture – specifically Gothic architecture – and in psychoanalysis – more precisely, the Lacanian formula that sublimation “raises an object to the dignity of the Thing” (Lacan, 1986 [1959-1960]: 133). We begin the analysis of this relationship from Freud’s assertion in Civilization and Its Discontents that the “verticality” of man (“die Aufrichtung des Menschen“) is “the beginning of the inevitable process of civilization” (Freud, 1930a [1929]). We will then study the logic of dissatisfaction, as a producer of the big push towards the Top, whilst demonstrating that the circle established between the building of civilization and the operation of sublimation is not just a beneficial, but also a dissolute, circle. This circle shows the link between sublimation and the death drive (Freud, 1923b), thus implying the danger of the operation (Lacan, 1994 [1956-1957]; Lacan, 1986 [1959-1960]). We will also try to show that Freud’s thesis about verticality is related to sublimation, working to change the order of the drive whilst making it higher, “höheres Ziel” (Freud, 1908a). The “höheres Ziel” of Freudian psychoanalysis is connected to the “quanto altius” of architecture, the latter having been pioneered by Suger, abbot of Saint-Denis. We will conclude our study by showing what post-Freudians did with the verticality of Freudian sublimation, and what the art historian Worringer (1967 [1927]), did with Gothic verticality.
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Keywords
Addiction
Aggression
Applied psychoanalysis
Architecture
Art
Body
Case study
Child analysis
Collecting
Death
death drive
desire
ethics
Fantasy
Freud
Gaze
Identity
Institution
interpretation
Jacques Lacan
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Lacan
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Memory
Narcissism
Object a
Oedipus
Outsider Art
Psychoanalysis
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Real
Repetition
Repression
Sade
Signifier
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Sublimation
the Gaze
Transference
Trauma
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