Not without irony, the author relates the story of the origin and development of what, in the course of about 45 years of collecting, would become probably the world’s largest collection of Art Brut, Naive and Outsider Art. Charlotte Zander started collecting as a young adult when for the first time she began to earn some money. The objects of her collecting passion were so-called votive pictures and gifts. After her marriage her interest shifted to avant-garde art and still later to Art Brut and Naive Art. The author follows her path from Cologne, via Heidelberg to Munich, where she founded an art gallery and eventually her own museum at Schloss Bönnigheim. With respect to the addictive aspects of collecting, the author stresses the craving to possess an object and the thrill experienced with each new acquisition.
- “I don’t stop; I start again.” The position of the analyst in ‘long term care’By Glenn Strubbe
- Vampires, Viruses and Verbalisation: Bram Stoker’s Dracula as a genealogical window into fin-de-sièc…By Hub Zwart
- Psychoanalysis: a symptomatic problemBy Evi Verbeke
- The Violence of Right: Rereading ‘Why War?’By Jens De Vleminck
Addiction Aggression Applied psychoanalysis Architecture Art Body Case study Child analysis Collecting Death death drive desire ethics Fantasy Freud Gaze Hysteria Identity Institution Institutional Psychotherapy interpretation Jacques Lacan Jouissance Lacan Language Literature Memory Narcissism Object a Oedipus Outsider Art Paranoia Psychoanalysis Psychose Psychosis Repetition Sade Signifier Subject Sublimation Transference Trauma Unconscious Violence Writing