Discussing the Babylonian epic of Gilgamesj, a tale of the quest for immortal¬ity, and digressing from time to time towards the epics of Homer, the author searches for the essence of the literary hero. The psychoanalytic reading offered here does not aim to uncover some underlying truth about the author or his characters, but rather to elucidate the functioning of the text in relation to the reader. This functioning turns out to be multi¬layered. At first the epic offers its reader the possibility of imaginary identification. But it does not stop there: archaic heroism invariably turns out to be connected with the theme of death. Death, in epical context, represents the ultimate lack no hero can overcome. Faced with the inevitable failure of the hero, the reader also cannot escape from con¬fronting this lack. The positive note of the epic resides in the fact that it shows how this lack can be the foundation of the journey the hero undertakes, the story that develops around him, the subjectivity he symbolizes.
- “I don’t stop; I start again.” The position of the analyst in ‘long term care’By Glenn Strubbe
- Vampires, Viruses and Verbalisation: Bram Stoker’s Dracula as a genealogical window into fin-de-sièc…By Hub Zwart
- Psychoanalysis: a symptomatic problemBy Evi Verbeke
- The Violence of Right: Rereading ‘Why War?’By Jens De Vleminck
Addiction Aggression Applied psychoanalysis Architecture Art Body Case study Child analysis Collecting Death death drive desire ethics Fantasy Freud Gaze Identity Institution interpretation Jacques Lacan Jouissance Lacan Language Literature Memory Narcissism Object a Oedipus Outsider Art Psychoanalysis Psychose Psychosis Real Repetition Repression Sade Signifier Subject Sublimation the Gaze Transference Trauma Unconscious Violence Writing