The story of Oedipus has been used throughout the ages in a variety of ways, by both artists and scholars. In this paper, the author highlights the host of aspects and motives which have turned this story into a myth, a tragedy and a very popular literary model in Western cultural history. As a myth, it can be read horizontally or vertically, synchronically or diachronically, and on the basis of either a masculine or a feminine imagination. It is argued that when it is read as just proof of the Oedipus complex, as Freud did, many equally important aspects are ignored. But whatever the interpretation we give to the story of Oedipus, it remains a construction told by men for men, a myth of male truth.
- “I don’t stop; I start again.” The position of the analyst in ‘long term care’By Glenn Strubbe
- Vampires, Viruses and Verbalisation: Bram Stoker’s Dracula as a genealogical window into fin-de-sièc…By Hub Zwart
- Psychoanalysis: a symptomatic problemBy Evi Verbeke
- The Violence of Right: Rereading ‘Why War?’By Jens De Vleminck
Addiction Aggression Applied psychoanalysis Architecture Art Body Case study Child analysis Collecting Death death drive desire ethics Fantasy Freud Gaze Identity Institution interpretation Jacques Lacan Jouissance Lacan Language Literature Memory Narcissism Object a Oedipus Outsider Art Psychoanalysis Psychose Psychosis Real Repetition Repression Sade Signifier Subject Sublimation the Gaze Transference Trauma Unconscious Violence Writing