This is a review article on Rudi Künzel’s proposed historical and psychoanalytical critique of medieval dreams. Firstly, the authenticity criteria proposed by Künzel are discussed critically. In particular, doubts are raised about an excessively strict distinction between oral and written culture. Next, a proposal is formulated to use psychoanalytical sensibility in the discourse analysis of other medieval narratives. Finally, some ideas are formulated with reference to an example from Galbert of Bruges’ famous journal on the murder of the Count Charles the Good of Flanders in 1127.