In this in-depth interview the Belgian-Syrian artist Mekhitar Garabedian (°1977, Aleppo) and psychoanalyst Filip Geerardyn explore the process of the emergence of subjectivity at stake in the creative oeuvre of the artist. The leitmotiv of this exploration is the analogy between the creative process on the one hand, and what is implied with Nietzsche’s imperative “Become what thou art!” on the other. This becoming (understood as the transference of the un-spoken) of the subject as well as of the artist, appears to realise itself through the Other, i.e., through the mother tongue (Armenian), through the others, through citations, through stories and histories, through collections and through the proper name Mekhitar.
- “I don’t stop; I start again.” The position of the analyst in ‘long term care’By Glenn Strubbe
- Vampires, Viruses and Verbalisation: Bram Stoker’s Dracula as a genealogical window into fin-de-sièc…By Hub Zwart
- Psychoanalysis: a symptomatic problemBy Evi Verbeke
- The Violence of Right: Rereading ‘Why War?’By Jens De Vleminck
Addiction Aggression Applied psychoanalysis Architecture Art Body Case study Child analysis Collecting Death death drive desire ethics Fantasy Freud Gaze Identity Institution interpretation Jacques Lacan Jouissance Lacan Language Literature Memory Narcissism Object a Oedipus Outsider Art Psychoanalysis Psychose Psychosis Real Repetition Repression Sade Signifier Subject Sublimation the Gaze Transference Trauma Unconscious Violence Writing