When Jaap van Hoewijk discovered in 1997 that his father had not died in a motor accident, as he and his sisters had been told 23 years before, but rather had committed suicide, he decided to make a documentary about this discovery. The interview revisits the fascinating story of Family Secret (2001) and focusses on some issues that remain unresolved in the film: 1) relations between van Hoewijk and his mother and other family members during and after the making of the film; 2) what had prompted his search for the truth; 3) his unconscious knowing of this truth, that is, before its discovery; 4) a second family secret related to the first one; 5) the process of reconstructing what happened; 6) the process of rewriting one’s own life history, and; 7) how his film was received.
- “I don’t stop; I start again.” The position of the analyst in ‘long term care’By Glenn Strubbe
- Vampires, Viruses and Verbalisation: Bram Stoker’s Dracula as a genealogical window into fin-de-sièc…By Hub Zwart
- Psychoanalysis: a symptomatic problemBy Evi Verbeke
- The Violence of Right: Rereading ‘Why War?’By Jens De Vleminck
Addiction Aggression Applied psychoanalysis Architecture Art Body Case study Child analysis Collecting Death death drive desire ethics Fantasy Freud Gaze Identity Institution interpretation Jacques Lacan Jouissance Lacan Language Literature Memory Narcissism Object a Oedipus Outsider Art Psychoanalysis Psychose Psychosis Real Repetition Repression Sade Signifier Subject Sublimation the Gaze Transference Trauma Unconscious Violence Writing