Pasolini describes himself as a “scandal of self-contradiction” (Pasolini, 1957). He brings a subject who assumes the radical split that runs through the subjective field. With his poetry of permanent dissidence he taunts power in which desire and her laws are inscribed. By postponing the exemplary symbolic suicide his subject manages to avoid the deadlock of turning a blind eye and alienation in the symbolic other. Terence Stamp embodies this subject in Teorem in the role of mysterious guest. Pasolini’s theorem seems to be that, via regression to pre-genital forms of sexuality (a pre-symbolic state), one not only escapes to a mythic (poetic) reality, but also takes possession of a weapon one can use against the oppressor. Desire emerges in disturbances that shred the symbolic order and release the Real. Filmic truth is exposed as a core of pure nonsense and sexuality appears as the root of a perverted society.
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Addiction Aggression Applied psychoanalysis Architecture Art Body Case study Child analysis Collecting Death death drive desire ethics Fantasy Freud Gaze Identity Institution interpretation Jacques Lacan Jouissance Lacan Language Literature Memory Narcissism Object a Oedipus Outsider Art Psychoanalysis Psychose Psychosis Real Repetition Repression Sade Signifier Subject Sublimation the Gaze Transference Trauma Unconscious Violence Writing