This article has as a central reference Jelinek’s revised version of the fairytale “Sleeping Beauty”. The author describes how the two protagonists, Sleeping Beauty and her Prince, encounter, take up their positions and mark both relation and difference. Jelinek’s interpretation allows for one to address the question of femininity in a structural manner. The idea of a feminine position is explicated through a comparison of Sleeping Beauty with Antigone. In contrast with this feminine position, the position of the prince is characterized as a place of unity: the place of he that is who he is. This leads to the question of a(n) (im)possible relation between a crazy feminine desire and a unique phallic desire.
- “I don’t stop; I start again.” The position of the analyst in ‘long term care’By Glenn Strubbe
- Vampires, Viruses and Verbalisation: Bram Stoker’s Dracula as a genealogical window into fin-de-sièc…By Hub Zwart
- Psychoanalysis: a symptomatic problemBy Evi Verbeke
- The Violence of Right: Rereading ‘Why War?’By Jens De Vleminck
Addiction Aggression Applied psychoanalysis Architecture Art Body Case study Child analysis Collecting Death death drive desire ethics Fantasy Freud Gaze Identity Institution Institutional Psychotherapy interpretation Jacques Lacan Jouissance Lacan Language Literature Memory Narcissism Object a Oedipus Outsider Art Paranoia Psychoanalysis Psychose Psychosis Repetition Repression Sade Signifier Subject Sublimation Transference Trauma Unconscious Violence Writing