This paper deals with the Freudian conception of chance and with the way in which this theme is elaborated in the work of writer-director Paul Thomas Anderson. Freud’s interpretation of chance or symptomatic actions, belief in chance and in superstition is illustrated with reference to some small case fragments. P.T. Anderson, in his film Magnolia, also questions the hidden meaning of apparently accidental events in human life. Whereas Freud trips up the illusion of free will by pointing to the determination of our speech and actions by unconscious, powerful mechanisms, Anderson, in contrast, approaches the notion of chance as an astonishing coincidence that should be seized rather than ignored and dismissed as something purely accidental and trivial. It is concluded that both authors make a plea for the not so fortuitous nature of chance and for breaking with repetition by opening our eyes to whatever comes our way by chance.
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Addiction Aggression Applied psychoanalysis Architecture Art Body Case study Child analysis Collecting Death death drive desire ethics Fantasy Freud Gaze Identity Institution interpretation Jacques Lacan Jouissance Lacan Language Literature Memory Narcissism Object a Oedipus Outsider Art Psychoanalysis Psychose Psychosis Real Repetition Repression Sade Signifier Subject Sublimation the Gaze Transference Trauma Unconscious Violence Writing