This paper explores what happens in the subject when creating visual art. It is argued on the first level that there are four steps in the creation process: (i) forming the image; (ii) creating the object; (iii) the decision to finish; and (iv) the separation. On a more advanced level, one needs to be aware of the essential difference between the status of the creative process in neurosis and psychosis. It is argued that within a neurotic structure the process of creation (sublimation) witnesses the acceptance by the subject of the emptiness of the Thing behind the object created, whereas within a psychotic structure visual expression should be considered a symptom, a therapeutic phenomenon. Insight is gained into the specific way in which linguistic mechanisms enter visualisation through the case of Friedrich Schröder-Sonnenstern, a German psychotic outsider.
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Addiction Aggression Applied psychoanalysis Architecture Art Body Case study Child analysis Collecting Death death drive desire ethics Fantasy Freud Gaze Identity Institution interpretation Jacques Lacan Jouissance Lacan Language Literature Memory Narcissism Object a Oedipus Outsider Art Psychoanalysis Psychose Psychosis Real Repetition Repression Sade Signifier Subject Sublimation the Gaze Transference Trauma Unconscious Violence Writing