This paper examines the temporal and spatial properties of enchanted discourse on love at first sight. The encounter with the object of desire is almost always presented as a sudden, unexpected event. Based on Barthes’ Fragments d’un discours amoureux, Slauerhoff’s De verzuimde liefde and Sollers’ Une curieuse solitude, it is argued that the encounter with the object of desire is a mise en-scène directed by the subject itself. The specific modality in which Lacan’s categories of the real (the object of desire) the imaginary (the image in which this object is presented to the subject) and the symbolic (the discourse that gives the image its consistency) are connected in this encounter are demonstrated.
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Addiction Aggression Applied psychoanalysis Architecture Art Body Case study Child analysis Collecting Death death drive desire ethics Fantasy Freud Gaze Identity Institution interpretation Jacques Lacan Jouissance Lacan Language Literature Memory Narcissism Object a Oedipus Outsider Art Psychoanalysis Psychose Psychosis Real Repetition Repression Sade Signifier Subject Sublimation the Gaze Transference Trauma Unconscious Violence Writing