In the first part of this contribution on Sergei Pankejev (Freud’s Wolf Man), the author proposed the hypothesis that the Wolfman avoided a psychotic breakthrough via a series of (seemingly “neurotic”) symptoms. This article investigates the nature and topological logic of these symptoms. Three distinct groups of symptoms are identified. Each group is situated on another cutting point in the knot that links the Real, the Symbolic and the Imaginary. A recurring element is the extraction of the anal object a as an answer to the feminine jouissance, the exact status of which is examined in detail. This leads to the formulation of new hypotheses related to the triggering moments of psychosis in the case of Pankejev.