In this paper four conceptual trilogies are discussed as defining Cézanne’s contribution (Picasso called him “the father of all of us”) to modern art: i) the three aspects of the art work: what is seen, what is felt, what is painted, i.e., the three terms that according to Cézanne must correspond; ii) the three registers on which, also according to Cézanne, aesthetics should be established: sense, forms and forces; iii) the three operations by which we are moved and that sustain our art works: antagonism, homology and substitution; and iv) the three changes Cézanne realised: the inversion of space, the inversion of the Gestalt and the fusion of internal and external spaces.
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Addiction Aggression Applied psychoanalysis Architecture Art Body Case study Child analysis Collecting Death death drive desire ethics Fantasy Freud Gaze Hysteria Identity Institution Institutional Psychotherapy interpretation Jacques Lacan Jouissance Lacan Language Literature Memory Narcissism Object a Oedipus Outsider Art Paranoia Psychoanalysis Psychose Psychosis Repetition Sade Signifier Subject Sublimation Transference Trauma Unconscious Violence Writing