This interview investigates the making of Pascal Poissonnier’s (1973) film Walking Back to Happiness (2010) in which the cineast recounts how he uncovered a long-held family secret concerning the identity of the natural father of his father. The dialogue focusses, on the following aspects: 1. The effect of the camera on speech; 2. Fatherhood and the Name-of-the-Father; 3. The influence of the cineast’s own analysis on the making of his film; 4. His family history; 5. His relationship with his father; 6. His film education; and 7. The influence of his theatre experience.
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Addiction Aggression Applied psychoanalysis Architecture Art Body Case study Child analysis Collecting Death death drive desire ethics Fantasy Freud Gaze Identity Institution Institutional Psychotherapy interpretation Jacques Lacan Jouissance Lacan Language Literature Memory Narcissism Object a Oedipus Outsider Art Psychoanalysis Psychose Psychosis Real Repetition Repression Sade Signifier Subject Sublimation Transference Trauma Unconscious Violence Writing