This article tries to provide a few concepts that can be of interest when thinking about dance, a theme that’s been rarely explored within psychoanalytic literature. Based on interviews conducted with professional dancers, we develop the idea of the dansêtre, in analogy to what Lacan specifies as the parlêtre. With this term we refer to the dancer who carries out a singular dance consisting of repetitive movements which are linked with a bodily jouissance. This entails that, through these movements, the real of the body can partly be experienced while at the same moment the dance movement offers a way of coping with this bodily jouissance. At this point something sinthomatic appears, a way of dealing with the real which has no sense. The factor that drives the singular dance doesn’t seem to belong to the symbolico-imaginary and is therefore unknown to the dancer. Yet the own singular dance is expressed anyway and it is by expressing it that the dansêtre takes shape. By elaborating this concept, we aim to invite future research regarding dance. The way in which the bodily jouissance takes place in dance, seems a question that can lead to interesting findings, taken that we are all confronted with the capricious real of the body.
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Addiction Aggression Applied psychoanalysis Architecture Art Body Case study Child analysis Collecting Death death drive desire ethics Fantasy Freud Gaze Identity Institution interpretation Jacques Lacan Jouissance Lacan Language Literature Memory Narcissism Object a Oedipus Outsider Art Psychoanalysis Psychose Psychosis Real Repetition Repression Sade Signifier Subject Sublimation the Gaze Transference Trauma Unconscious Violence Writing