This interview investigates the making of Pascal Poissonnier’s (1973) film Walking Back to Happiness (2010) in which the cineast recounts how he uncovered a long-held family secret concerning the identity of the natural father of his father. The dialogue focusses, on the following aspects: 1. The effect of the camera on speech; 2. Fatherhood and the Name-of-the-Father; 3. The influence of the cineast’s own analysis on the making of his film; 4. His family history; 5. His relationship with his father; 6. His film education; and 7. The influence of his theatre experience.