Oct 282012
 

According to Peirce the essence of the sign lies in its triadic interrelated structure, namely: a representamen, an object and an interpretant, in which the object is brought in relation to an interpretant by the representamen, such that the interpretant is, in turn, a sign of the same object. Lacans conceptualisation of the signifier shows […]

Oct 022012
 

By means of two short cases taken from a practice with “special” youngsters, the author illustrates the resilience of the signifier. Fundamental and epistemological problems of psychoanalysis are constantly surfacing in that sort of clinical material and this applies even to trivial examples. It raises questions such as what is the unconscious? How can one […]

Sep 272012
 

Starting from a number of remarks and hypotheses of authors such as Georg Groddeck, Sigmund Freud, Jacques Lacan, Jean Guir and Colette Soler about the entanglement of psyche and body, which, amongst other things, manifests itself in the activation of latent genes under the influence of specific signifiers, the author explores the influence of the […]

Aug 272012
 

As a comment on Smith’s paper, “The Evolution of the Unconscious” (2002), the question of the nature of so-called unconscious communication is addressed. Some passages in Freud’s writings appear to suggest that this phenomenon can be explained by the transmission of meaning theory according to which what is communicated or transmitted in unconscious communication comes […]

Aug 272012
 

In this article a solid neurodynamic framework is proposed for the Freudian-Lacanian linguistically structured unconscious in terms of “affect sticking to phonology”, as well as for the particular importance of articulation in the processing of affect. First, the idea is defended that the phonological structure of language can act as a “carrier” of affect, independent […]

Aug 242012
 

Starting from the biography and evolution of the art of Belgian artist Pierre Alechinsky, a psychobiographical hypothesis is formulated concerning an important shift in the artist’s work, namely, his choosing to combine painting with calligraphy and writing. This “choice” was made when the artist found himself in an artistic impasse. It is shown how the […]

Aug 212012
 

In this contribution the work of Belgian artist Pierre Alechinsky is analysed from an interdisciplinary perspective. First, within the perspective of art history, the author traces the trajectory of the artist starting from his encounters with the Cobra movement, the Chinese artist Walasse Ting and the Japanese calligraphers, to the use of acrylic during the […]

Apr 102012
 

This article illustrates Lacan’s theory of language and the signifier using the story of two feral children. It is first argued that the failure to educate Victor of Aveyron to become a subject is related to the inaccuracy of his educator’s theory of language. The function of language is not to communicate one’s needs, nor […]