Mar 082017
 

This interview investigates the making of Pascal Poissonnier’s (1973) film Walking Back to Happiness (2010) in which the cineast recounts how he uncovered a long-held family secret concerning the identity of the natural father of his father. The dialogue focusses, on the following aspects: 1. The effect of the camera on speech; 2. Fatherhood and […]

Jul 032014
 

Akira Kurosawa’s movie Rashōmon (1950) is traditionally referred to as a clear illustration of the subjectivity of human perception and memory. However, the notion of the so-called Rashōmon effect reflects only a superficial reading of Kurosawa’s film. It is argued, both from a historical and from a psychoanalytic point of view, that the filmmaker’s interpretation […]

Dec 072012
 

The theme of this paper is the filmic representation of psychoanalysis in Hitchcock’s 1945 blockbuster Spellbound. This movie has been received with mixed feelings by psychoanalysts as portraying the psychoanalytic cure in an idealised and simplified way. This matches the cineaste view that Spellbound is “just another manhunt story wrapped up in pseudo-psychoanalysis” (Truffaut, 1985). […]

Oct 022012
 

The sixth colloquium of A.L.E.P.H. (11/12/2004-12/12/2004) united psychoanalysts, art historians, philosophers and artists in the Fine Arts Museum of Tourcoing on the theme “Art and Psychoanalysis”. In this article, three authors reflect on what touched them during this colloquium and on what resonated with them afterwards. Jean-Pierre Van Eeckhout was inspired by the detail in […]

Aug 272012
 

This paper deals with the Freudian conception of chance and with the way in which this theme is elaborated in the work of writer-director Paul Thomas Anderson. Freud’s interpretation of chance or symptomatic actions, belief in chance and in superstition is illustrated with reference to some small case fragments. P.T. Anderson, in his film Magnolia, […]