Nov 042015
 

This in-depth interview explores the motives underlying the creative oeuvre of the Belgian artist Philip Huyghe (Ieper, °1959). The guiding principle of this oeuvre, comprised of plastic work, installations, performances and videos, is the duplication of the/his mother, an idea which imposed itself on the artist in a feverish dream, and which permits the Gestaltung […]

Mar 172014
 

For several years, Isabelle Le Gouic has been developing a multifaceted work combining poetry, drawing and music. The relationship to space, conceived as a psychic space as well as a game, is fundamental in her creations. Her literary work is based on sets of skilful puns addressing complex issues. Isabelle Le Gouic’s unique trajectory, involving […]

Jun 062013
 

In this in-depth interview the Belgian-Syrian artist Mekhitar Garabedian (°1977, Aleppo) and psychoanalyst Filip Geerardyn explore the process of the emergence of subjectivity at stake in the creative oeuvre of the artist. The leitmotiv of this exploration is the analogy between the creative process on the one hand, and what is implied with Nietzsche’s imperative […]

Oct 022012
 

This dialogue explores four aspects of the work of the Belgian artist Johan Clarysse: (i) the overdetermination or stratification of psychical determinants of plastic work, that is, the differentiation between conscious/preconscious determinants on the one hand and unconscious determinants on the other; (ii) the process of symbolising and/or representing affect in plastic work; (iii) formal […]

Aug 272012
 

Starting from a critical reading of Freud’s essay A Childhood Memory of Leonardo da Vinci, the author tries to assess whether it is still valuable. The historical debate between Schapiro and Eissler as well as to the more recent work of Maïdani Gerard and Collins is discussed. It appears that the central element of Freud’s […]

Aug 272012
 

In the context of the debate on the art value of outsider art (in the two following senses: valuable art versus devalued art, and the value of outsider art for art history) the author investigates the central place of repetition for the artist in the creative process. Firstly, the surplus-aesthetic-value of an outsider-work-of-art is partly […]