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Editoriaal Tussen
taal en subject: De
"morfogenese" van het lichaam: De
blik van Medusa Over
tweetaligheid en de taal van Hedendaagse
subjectiviteit: ARCHIEFTEKST Moet
de psychoanalyse onderwezen |
Tussen
taal en subject: Ingrid Jans Based
on his clinical work with patients experiencing severe aphasia, the author
asks questions of both a scientific and existential nature. That language
plays a role
Huguette Raes Starting
from a number of remarks and hypotheses of authors such as Georg Groddeck,
Sigmund Freud, Jacques Lacan, Jean Guir and Colette Soler about the entanglement
of psyche and body, which, amongst other things, manifests itself in the
activation of latent genes under the influence of specific signifiers,
the author explores the influence of the signifier on the development
of the shape of the body. Her analytical practice led her to hypothesize
that some aspects of the body – mainly those that carry an erotic
meaning – are marked by the signifier in the development of their
shape, according to an analogous structural dynamic such as those that
occur in psychosomatic phenomena. This hypothesis about the "morphogenesis"
of the body is illustrated using a number of brief clinical fragments.
One particular case highlights how a woman, in order to satisfy
Hilde Coppens In the 18th century Bentham proposed the idea of the panopticon as a reliable method for exercising power. By capturing the gaze, the guard owns the power of seeing in order to force the prisoner to submit. In this way, the undesirable behaviour of the prisoner can be suppressed. In the 1970's there were several interesting commentaries: Foucault (philosophical) and Miller (psychoanalytic). This article examines the effects of a panoptical architecture, starting from concrete experiences. A clinical fragment will allow us to argue that the panopticon cannot guarantee the one-sidedness of the gaze (namely, on the part of the guard). As a consequence the panopticon has not only suppressing effects, but is also a possible ground for transgression.
In
psychoanalysis, as the talking cure, language asserts itself pre-eminently
as the mode of treatment. Formations of the unconscious, like symptoms,
dreams and slips of the tongue, can be interpreted on the basis of their
underlying linguistic structure. Bilingual analysands, however, possess
more than one language code by means of which they can put such manifestations
of the unconscious into words. This raises the question of how the "language
of the unconscious" finds its expression through the discourse of
the bilingual subject. Starting with Freud's conceptualisation of the
psyche based on wordand thing-representations, the author examines the
status of the mother tongue and a second, later-learned language in the
bilingual analysand's communication, on the basis of the following questions:
(i) Are there any differences in transference, depending on the language
in which the analysand expresses himself?; (ii) To what extent are the
mother tongue and a language learned later in life interrelated and what
does this tell us about verbal processes like repression?; (iii) What
value should be attached to the initial choice of language and the language
switch, if any, in relation to theprocess of transference?; and (iv) What
conclusions can be drawn with regard to the required language competency
of the psychoanalyst conducting an analysis in more than one language?
In this article the author explores the possibility of a structural link between several cultural changes in contemporary society, better known as the very idea of a postmodern culture, and a significant change in clinical practice. Since the crisis of 1968, which was in essence a revolt against paternal authority, and since Lyotard wrote his La condition postmoderne (Lyotard, 1979) it is incontestable that western culture has been marked by a structural shift. As post-political, liberal subjects we are perceived as being free, detached from the obstacles of our primal identifications with our parents, country or socio-economic class. Nowadays, we are free-floating subjects in a decentralised universe trying to transgress the symbolic law and to achieve the ultimate object of desire. But it is quite paradoxical that this extreme liberalism finds its counterpart in both the explosive violence of the real and the massive pressure of the imaginary order. The main aim of this article is a psychoanalytical exploration of a possible structural connection between those two orders. Das
psychophysische Unbewusste The author explores Fechner's understanding of the unconscious and in doing so emphasises the ambivalence of his conceptualisation, i.e., the scientific and the spiritualistic side of his thinking. The Elemente der Psychophysik (1860) form the central, although not the only, reference: texts such as Das Büchlein vom Leben nach dem Tode (1836) and the posthumously published report on his illness will also be discussed. Fur ther, in order to compare and highlight Fechner's own conception of the unconscious other ideas about the unconscious from the same period (Carus, Helmholtz, von Hartman) will be considered. The Fechnerian "unconscious" is actually conceived as a state of sleep or as a state of unconsciousness. Put into the cosmic context, Fechner's unconscious levels the finality of death. The difference between Freud's and Fechner's notion of the unconscious becomes obvious and is delineated on the basis of a close reading of Freud's reference to Fechner's "other scene".
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